driving in the suburbs late at night

But not too late because curfew. Suggested talking points, none of which we actually want to write about here, include:

  • the idea of going somewhere differently for growth and then returning to the place you were in before, but different now
  • songs you associate with listening to while driving a car when you actually have very few experiences listening to songs in a car because you live in one of the only walkable cities in america
  • rehearsing coming out speeches
  • living in a different suburb, the wide gap between driving to escape and driving to go home, under the umbrella of driving whilst being alive
  • living with a Stigmatized Mental Illness™️
  • the time between thanksgiving and christmas
  • songs becoming inextricably tied by memory to particular times, whether that be stage of life or a season of year. are these inherently nighttime songs? is the suggestion of a collection of songs being nighttime songs conveyable or inextricable from the personal experience realm?
  • changing so much and learning so much about yourself, and the idea of bringing that to a group of people that only know the Carefully Constructed Identity built to not invite too many questions, which is confusing, difficult
  • the chicagoland area
  • what even is a fulfilling life
  • changing the soundtrack between the drive somewhere and the drive back

I Hate Summer

finally, a trash garbage playlist with Tegan and Sara, Fucked Up, and ska in it and we insist it actually works.

now, sure, it’s a little different here in the year of our lord 2020, but summer is the worst season. this is a playlist of songs for joyously fuming about how it’s too fucking hot right now. this is a bunch of mostly party-pleasing mostly pop and rock that wouldn’t be out of place at a rooftop or backyard gathering that it’s too hot for and no one is paying particularly close attention to how you kind of fucked up the music. it’s kind of mellow, but it’s pretty fun about it. (aliens-mostly.gif) it’s about two hours, which is probably how long it’ll take for someone else to insist they take over the music.